{"created":"2023-05-15T12:36:55.807981+00:00","id":292,"links":{},"metadata":{"_buckets":{"deposit":"9be856f3-65e9-4bba-b0b3-841fc79dead3"},"_deposit":{"created_by":2,"id":"292","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"292"},"status":"published"},"_oai":{"id":"oai:tamagawa.repo.nii.ac.jp:00000292","sets":["6:14:25:90"]},"author_link":["2241"],"control_number":"292","item_2_alternative_title_12":{"attribute_name":"英訳タイトル","attribute_value_mlt":[{"subitem_alternative_title":"Vladimir Horowitz’s Virtuosity Given to　“Pictures at an Exhibition”―A Study on “Pictures at an Exhibition” Arranged by Horowitz―"}]},"item_2_biblio_info_4":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"10","bibliographicPageEnd":"28","bibliographicPageStart":"13","bibliographic_titles":[{"bibliographic_title":"玉川大学芸術学部研究紀要"}]}]},"item_2_description_3":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"20世紀を代表するピアニストであるウラディミール・ホロヴィッツ（1903-1989）は、モデスト・ムソルグスキー（1839-1881）が作曲した《展覧会の絵》を大きく改編した。本稿は、ホロヴィッツが行った改編の具体的な内容を示し、その編曲技法が示唆するものを明らかにすることが目的である。幾つか存在する録音資料の中から参考となる音源を選出し、音のみならず、ペダリングやデュナーミクまで慎重に採譜した。ホロヴィッツが用いた編曲技法は5 項目に分類され、それらは演奏家が会得すべき音感――音や音楽に関する諸性質を把握する感覚――を再認識させるものであった。","subitem_description_type":"Other"}]},"item_2_publisher_13":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"玉川大学","subitem_publisher_language":"ja"}]},"item_2_source_id_5":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1881-6517","subitem_source_identifier_type":"ISSN"}]},"item_2_source_id_6":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12407929","subitem_source_identifier_type":"NCID"}]},"item_2_version_type_7":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"津島, 圭佑"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-06-26"}],"displaytype":"detail","filename":"6_2018_13-28.pdf","filesize":[{"value":"4.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"6_2018_13-28.pdf","url":"https://tamagawa.repo.nii.ac.jp/record/292/files/6_2018_13-28.pdf"},"version_id":"5a3c3234-1ee0-45ed-b33c-178a63fd2f45"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ホロヴィッツ版"},{"subitem_subject":"ピアノ編曲"},{"subitem_subject":"モデスト・ムソルグスキー"},{"subitem_subject":"展覧会の絵"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper"}]},"item_title":"《展覧会の絵》に施したウラディミール・ホロヴィッツの妙技―《展覧会の絵》ホロヴィッツ版の考察―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"《展覧会の絵》に施したウラディミール・ホロヴィッツの妙技―《展覧会の絵》ホロヴィッツ版の考察―","subitem_title_language":"ja"}]},"item_type_id":"2","owner":"2","path":["90"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-05-10"},"publish_date":"2019-05-10","publish_status":"0","recid":"292","relation_version_is_last":true,"title":["《展覧会の絵》に施したウラディミール・ホロヴィッツの妙技―《展覧会の絵》ホロヴィッツ版の考察―"],"weko_creator_id":"2","weko_shared_id":-1},"updated":"2023-07-18T04:23:38.456872+00:00"}